Saturday, March 12, 2011
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Molise, twenty-one e. .. "threatened for telling a banality!"
Topic: Earthquake!
course of interpreting the common feeling of belonging to OML express solidarity with Lorenzo and I'm available - now - to take all necessary measures to safeguard it!
Good reading.
http://www.traccialibera.it/index.php?option=com_content&view=article&id=1147:senza-censura-storia-di-un-blogger-molisano-che-qe-meglio-se -non-parliq & catid = 64: web & Itemid = 18
(by Nicola)
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(by Nicola)
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Friday, March 11, 2011
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learn, without surprise anyone, as a product and denounced by the Court of Accounts!
Nello specifico:
- la ricostruzione post terremoto, ad oggi, é pari al 23%;
- le consulenze "esterne", in ambito sanitario, sono enormi;
- oltre 250 milioni di euro "spesi" in derivati!
Forza e coraggio, é tempo di "balle spaziali", lavoro per i giovani e autostrade!
I love Silvio (and his group)!
by Nicola
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http://www.beppegrillo.it/2011/03/abbandonato_dal/index.html?s=n2011-03-10
Fonte: Blog Grillo 11.03.2011
by Nicola
Thursday, March 10, 2011
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Good morning to all s
- date conferma della vs. partecipazione;
- invitate, per favore, persone di vostra conoscenza!
Wednesday, March 9, 2011
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I dance
01 02 03 The
The cock wild ass dancing frog guardian
04 The Flower of 05 April 2006
turns the song
07 The faithful sheep
Attaranta
08 09 Sleep pretty small The boar distracted
10 11 E 'festa
12 Swallow aurunca
13 hens in a circle
14 The gentle dove
15 The whistle of the duck
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Joan Sutherland (Sydney, November 7, 1926) is an Australian soprano.
Supreme virtuous, is stata una delle più grandi protagoniste dell'opera nel Novecento. Pochi cantanti lirici hanno avuto una carriera prestigiosa e lunga (oltre quarant'anni) come la sua. Dotata di una voce di bellissimo timbro, di notevole volume e assai estesa, con sopracuti limpidi e penetranti, è stata capace di agilità perfette quanto spericolate. Attrice misurata, elegante e intelligente, nel tragico come nel comico, ha contribuito come pochi e più di chiunque altro alla riforma del canto lirico nel segno del recupero della tecnica e della prassi esecutiva belcantistica, sviluppando specialisticamente e portando ai massimi esiti la 'rivoluzione' iniziata da Maria Callas. Molte delle sue interpretazioni, in buona parte consegnate ufficialmente al disco, sono considered as reference. I call it The Wonderful music lovers, and The Koloraturwunder incomparable.
Artists: Soprano
: Sutherland
Baritone: Shaw
Maestro Director: Marenzi
Tuesday, March 8, 2011
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Decree Law 78 of 2010 calls to the offices of staff to reduce the salaries higher than the 90 000 € gross 'years, from 2011. Employees of public administration, included in the consolidated account Istat, who earn more than € 90 000, will be reduced by 5% of their income, 10% of those earning more than 150 000 € gross per year.
(source privy 03/08/2011)
Monday, March 7, 2011
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With pleasure, I report the establishment of a body which aims to ensure the disabled, and some reasonable time to receive the report of disability and retirement. The Committee chairman, Domenico Biondi, states that membership is free and allows you to access the following services: assistance in iterating
administrative granting of benefits, legal assistance in case of rejection of the application, updated information (through e-mail) on laws, circulars, civil judgments related to disability. These are the point of contact for all cases:
0874.34010 - 339.4332946 E-mail: mimmobiondi64@gmail.com
By Mario
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"You control a nation? Check the food. Want control a region? Take control of energy. Do you want to control the world? Check the banking system "by Nicola
Sunday, March 6, 2011
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Saturday, March 5, 2011
Friday, March 4, 2011
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Vistosi dismissed the action on the TAR Puglia in order to hear the town of Leporano order to recover damages flowing from the delay in issuing the permit to build in variant required, the applicant has appealed the first instance ruling 623 / 2007 TAR Puglia, Lecce , who alleged that, while absolutely no doubt the time limit for issuing building permits under Article. 20, 3 rd - 8 th paragraph, of Presidential Decree No 380/2001 and identified in 75 days of receipt of application (60 and 15 for the investigation to adopt the measure) should be excluded the requirement of subjective fault in Head of administration resistant to the effect of a particular complexity of the case and a series of occurrences beyond the municipal administration to Leporano (contrast between the opinions of the Superintendent, no-claims, etc.).. The Tar had added that the claimant would still be rejected for a number of issues relating to proof of damages.
By Ordinance No. 172/2010 Fifth Section of the State Council has found it necessary to have two technical consultant in order to ascertain:
a) the economic damage suffered by the appellant due to the late issuance of building permits in question to report period May 2002-May 2004;
b) the existence of the disease and alteration of mental status, alleged by the applicant, with date of onset and the existence or not of causation with respect to the delay in issuing the permit build and quantification of the corresponding damage.
advice and held the two reports filed, the case was retained in the decision.
- partly accepted the appeal and the effect, the reform of the contested decision, partially accepted the appeal at first instance, c ondannando the town of Leporano to pay to the applicant, by way of damages, amounting to € 55,345.03, as well as currency appreciation and interest in accordance with the statutory criteria set out in the recitals ;
- condemned the town of Leporano recast in favor of the appellant, expenditure of two levels of jurisdiction, paid in total amount of Euro 10,000.00, plus VAT and CP .;
- place the costs of the CTU borne by the municipality appealed .
The State Council has raised by the following syllogism:
- The delay has resulted in a procedural delay in the so-called "good life " formed in this case the (im) possibility of building according to the project requested variant .
- The giurisrudenza is peaceful in admitting damages by delay (provided of course that the damage there and it is proven) el'intervenuto art. 2 - bis, paragraph 1, of Law 241/90 , introduced by Law No 69/2009, confirms and strengthens the protection of private damages against the delays of the pa , ruling that the government and equivalent entities are required to pay damages caused injustice as a consequence of intentional or negligent of the deadline for completing the procedure.
- The rule also requires that the time is a good of life for citizens and the courts have recognized that the delay in the conclusion of any process is always a cost ;
- In this case, not notes the issue of Recoverability of damage caused by delay if not attributable to the so-called "good life" and the compatibility of the principles established by the plenary session Decision No 7 / 2005 with the new art. 2 - bis of Law 241/90, since the administration itself acknowledged that attributable to the (late) permit to build in variation.
these circumstances, the decision to verify the evidence of the existence of damage also in terms of damage cd. biological (stress delay) and causation to the aforementioned delay: circumstances motivated with a wealth of analysis and here for brevity not listed, we reserve a subsequent study. Sure surprising reliance on technical advice of the task to determine and quantify the economic damage , real such a determination does not qualify as a means of proof in a technical sense and can be placed solo al fine di acquisire apprezzamenti tecnici altrimenti non formulabili dal giudice, non può quindi servire ad acquisire gli elementi che compongono il danno lamentato e, quindi, la sua dimostrazione " (T.A.R. Basilicata Potenza, 21/02/2007, n. 62).
Ma, evidentemente, anche in questo campo dobbiamo prepararci a nuovi approcci sui limiti della prova avanti il giudice amministrativo.
La sentenza n. 1271/2011 del Consiglio di Stato é disponibile sul sito Giustizia Amministrativa a questo indirizzo
Thursday, March 3, 2011
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Un Ballo in Maschera
Characteristics: Opera in three acts on
libretto by Antonio Somma, based on the novel by Eugène Scribe Gustave III ou Le bal masque
Previous: Rome, Teatro Apollo, February 17, 1859
Plot:
Act I. Richard, Earl of Warwick, English governor of Massachusetts, opens hearings . Among these are the enemies of Samuel e Tom che, insieme con i loro seguaci, meditano di ucciderlo. Il paggio Oscar porta a Riccardo la lista degli invitati a un ballo; questi, scorto tra gli altri il nome di Amelia di cui è segretamente innamorato, trasalisce. Entra il creolo Renato, segretario e confidente di Riccardo, nonché il marito di Amelia, che lo mette in guardia da una congiura che si sta tramando nei suoi confronti, ma egli si mostra insensibile all`avvertimento. Ad un giudice che gli sottopone l`atto di condanna di un`indovina negra, Ulrica si mostra magnanimo e, convocati i presenti, dà appuntamento nell`abituro dell`indovina. Qui la maga, che sta invocando " re degli abissi", viene interpellata dal marinaio Silvano a cui predice un futuro fortunato. Per l`esultanza of all, the prophecy comes true, as Richard had previously put money in the pocket of a sailor and a sheet of appointment as official. Then came forward a servant of Amelia to ask for a private meeting for his mistress. Remove all facts, Ulrica recommended that Amelia, who asks how to get rid of a sinful passion, to go in left field on executions, where you can find the grass that gives the `forgetfulness, Riccardo, hidden to hear the interview, he rejoiced to know Amelia is in love with him. Then, disguised as a fisherman, is the magician who acknowledges in his hand a noble leader, but refuses to declare the prophecy. Finally, for the `insistence of Richard and of these, the count predicts the death at the hands of a friend, who's first to shake his hand. Among the general astonishment, Richard minimizes `happened, while the people cheered him.
Act II. Amelia goes in search of `magic herb and is joined by Richard, who declares his love, Amelia is shocked: 'she loves him too, but do not want to betray her husband. This concern for the safety of `Richard, amount to two and intimate with Richard to escape from this lonely place. Before you go, the count gives him the woman (copertasi with a veil, it has been approved by her husband) after swearing that he would not attempt to discover who he was. They break the conspirators surprised to find Renato, who vainly tries to defend the woman their curiosity to know who he is. In the excitement of the scene, the veil falls in Amelia, that arouses the anger and desolation of her husband and the terrible irony of Samuel, Tom and all of the conspirators. Renato shocked at the rendez-vous' next to Samuel and Tom.
Act III. Renato is firm in his resolution to avenge the blood of the alleged infidelity. The woman asks him to review for the last time her son. Then, moved by pity, Renato decides to take satisfaction in the death of the friend and save his wife. I have appeared Samuel and Tom are incredulous when they are made aware of the intentions of these offers Renato and his son's life as a guarantee of sincerity. The three debates to indicate that the fate of them will be the executor `s` murder of Richard and Amelia force to pull down the name of the chosen `urn: Renato. Oscar comes in with the invitations for the masked ball. The three agree to use the occasion for its intended purpose, while Amelia thinks about how to save the count. Richard decided to give up the love for Amelia and Renato and prescribe for her return to England. Oscar gives him an anonymous letter urging him to refrain from dancing to safety, but the count, the woman who wants to review at least once more, appears oblivious of the warning. During the festival, Renato fails with the `cunning to be told by Oscar disguise is hiding behind what Richard. Meanwhile Amelia, who has reached Richard to ask them to flee, which he acknowledged receiving the Far goodbye. He is just in time to enter into dialogue with the woman, who is joined by Renato dagger. These stops but Richard was dying, he orders it is released. After showing him the decree of expatriation for him and Amelia, the Amelia reveals that never betrayed him, and forgives all the conspirators. I bless the magnanimity of the present earl. Renato is left alone with remorse.
History:
Under strong pressure from the Teatro San Carlo in Naples who has been calling for a new effort Verdi Theatre, the Master decided to take some time to work with other interested musicians. The booklet Antonio Somma, who at first asked to remain anonymous, takes inspiration from Eugène Scribe for the work of Daniel Auber, tells the story of a regicide occurred in Sweden in the middle of the eighteenth century. The opera is staged for the first time at the Paris Opera in 1833 and is still represented in 1857, when Green decided to put the booklet. Bourbon censorship begins the troubled history of the composition of the work; asked Verdi to change many, perhaps too many things (the King has become the duke, as long as the story takes place must be anticipated that in which it was still believed in magic, the conspirators must act purely for personal reasons). After that the Master arrived in Naples in January 1858, Napoleon III suffered an attack and censorship becomes even more serious in his claims. Verdi is not willing to completely distort his work, as it is required by the San Carlo, beyond the terms of the contract, the Teatro Verdi and sues the all'affronto responds with a lawsuit for damages. The legal skirmish ended with a withdrawal of charges by the Theatre and a commitment by the composer to prepare another work by the autumn. The result is a vendetta in domino. Remember he wants to La Scala in Milan, Verdi gives the Teatro Apollo in Rome. Even here, however, the book can be as originally conceived: the scene moves from Boston to Stockholm and King Gustaf became the Earl of Warwick, governor of Massachusetts. To put the Shakespeare ... much ado about nothing. The opera was finally staged under the title of A Masked Ball on the evening of February 17, 1859.
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Wednesday, March 2, 2011
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Ieri pomeriggio, con Vinicio, ho partecipato all'incontro in questione organizzato dalla signora Astorri.
Il prof. Cirino ha raccontato le origini della nostra terra attraverso i fossili.
I presenti hanno potuto apprendere dal relatore che ragazzi delle medie - opportunamente preparati allo studio dei fossili - hanno predetto il crollo di un importante ponte della ns. rete viaria. Il crollo si é puntualmnete verificato entro i tempi stabiliti dai ragazzi ! Gli ingegneri - gli INGEGNERI - non avevano previsto nulla!
E' una denuncia forte. Spero vivamente che i vertici delle forze dell'ordine presenti in sala abbiano preso atto di quanto ascoltato e procedano di conseguenza!
Altro argomento trattato é stato quello dell'eolico (selvaggio nella fattispecie). Non aggiungo nulla in quanto al riguardo ho già postato il mio pensiero pochi giorni addietro.
Un grazie sentito al prof. Cirino ed un invito a noi dell'OML: coinvolgiamolo nelle attività programmate.
by Nicola
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